
| Paramount Arts Center Presents the World Premier of SOMETHING IN THE WATER A Musical Tribute to the Heritage of Country Music in Kentucky This is an original work commissioned by the Paramount It came to these hills, from places like England, Ireland and Scotland, carried on the lips and the in the hearts of people far from home. It mixed with sounds from Africa, carried by people who depended upon them for survival. It grew up on evenings spent on front porches. Spent days in coal mines, and riding rail cars. It floated into valleys, and walked big city streets. It soared out over radio airwaves, to the whole country. It was called many things. “Hillbilly”, “Old time”, “High Lonesome”, “Bluegrass”. Two things were certain: this was music, and this music was Kentucky. -Excerpt from “Something in the Water,” Written by Mickey Fisher It is no secret that eastern Kentucky has been the birth place of many contemporary country music and bluegrass legends…The Judds, Billy Ray Cyrus, Ricky Skaggs, Dwight Yoakam, and Loretta Lynn to name only a few. But what may be less well- known is a tale, a true one, that for generations has been waiting to be told…the story of the conception, the birth and the discovery of the mountain music from throughout Kentucky. This is the music that started it all. For the first time ever, the Paramount Arts Center will present an original musical and dramatic production titled Something in the Water on Saturday, July 17 at 8 p.m. This work was specifically commissioned by the Paramount Arts Center and will not only become part of the annual Kentucky Music Trail, it will be available as a touring production as well. Written and directed by Mickey Fisher of Ironton, Ohio, the show is a musical celebration of the heritage of country music in Kentucky. It is presented in a unique multi-media format designed to engage the audience through sight, sound and emotion as they travel era by era through the birth and evolution of the music they love so much. "It's exciting to see the Paramount take on this challenge of creating something of their own,” Fisher said. I grew up in this theater. I did my first show, a community theater production of BARNUM, when I was eleven. I was the kid going the wrong way on all of the choreography. I fell in love with this building back then. Every time I walk in the auditorium I feel just like I did as that young child. Two decades later, here I am again, right in the middle of this great adventure." “We are very excited about this production,” said Kathy Timmons, executive director of the Paramount. “It has been an interesting process to watch it develop from infancy into this fabulous creation. I’m even more excited to have the opportunity to commission this extraordinary work that details the history of Kentucky’s own music. By commissioning this piece, we will be employing a very talented and creative playwright from the tri- state area. We will also be providing work for the production team and videographers, as well as a top notch cast of musicians, actors, singers and other performers.” Commissioning an original work has also taken the Paramount Arts Center in a new direction. “Until now we have always been a presenting organization,” Timmons said. “With this production we have stepped into the role of producer and that just expands our mission which is to inspire, educate and entertain with outstanding performing arts and diverse cultural experiences while preserving a unique historic landmark.” One person that has been involved with the production from the very beginning is Ritch Collins, a popular musician who also works as a technical director at the Paramount and other venues. In fact, the original concept began with him. “The Paramount and the State of Kentucky were looking for a production that would be owned by the Paramount and could be a permanent fixture in the Kentucky Music Trail Series,” Collins explained. “I started with an idea for a highly technological production and that became our master plan.” Now wearing the multiple hats of creative director, tech guide and musical arranger for Something in the Water, Collins called in Mickey Fisher to flesh out the idea and come up with a script. “I originally had only one actor planned for this,” Collins said, “but after Mickey and I got together and kicked this around, that changed. In fact, this is really the third script being used for the final product. And I don’t mean re-write. We actually have two other scripts that could stand on their own. But this is the version that works best for this venue, telling this story and in combination with just the right technical, theatrical and musical elements.” While Something in the Water could suggest a play about anything from killer fish on the loose in the Ohio River to an espionage thriller, it is something quite different. Paramount marketing director Tyson Compton explains the title. “People have often expressed wonder that so many generations of country music and bluegrass legends were born and raised in towns along Kentucky’s U.S. 23, also known as The Country Music Highway,” Compton said. This stretch of road has even achieved national notoriety, receiving designation as a national scenic byway. “It is said,” explained Compton, “that someone once asked a person from our region why there was such a high concentration of country music and bluegrass talent here in eastern Kentucky and the reply most often heard was that there must be something in the water.” “We envision this becoming an annual performance that grows and evolves much like the mountain music it portrays,” Compton said. “The potential for this production is unlimited. Mickey and Ritch have put together something that is really going to make those in the entertainment scene take notice.” Compton went on to explain that Something in the Water is reflective in style of Down from the Mountain, a well-known production that showcases in concert the music from the popular movie Oh Brother Where Art Thou. “Oh Brother Where Art Thou was a surprise hit movie that generated a wave of interest in mountain culture and music that really swept the nation,” Compton said. “Sometime in the future, we aspire to promote Something in the Water to other entertainment venues, perhaps leasing it out for tour – and continue to build on the well- deserved positive attention our region is receiving.” “Something in the Water is not only an original because it is the first time it will have been performed, but also because the production utilizes a novel multi-media approach to engage the audience,” said Collins. “Three large screens will function as active video backdrops to accompany the live dramatic and musical performers on the stage. The overall effect is to sweep the audience through time, era by era, as they hear and see the evolution of Kentucky music come to life before their eyes. While the audience will be thoroughly entertained, they will develop a better understanding of the region’s musical culture.” Timmons also sees the potential of the production. “This has developed into such a high quality piece,” she said. “It will definitely be viable as a touring production. It can also be dissected or restructured to fit into an educational component making it ideal for our Youth Education Series or to take into schools. Once people see what we have, it will also serve as a tourist draw much like the “Jenny Wiley Story,” “Tecumseh” and other productions of that type do for their region.” While Something in the Water depicts the early years of country music in Kentucky, starting just before the 1920s and running through the early 1940s, future editions will move beyond that. “Our concept is that it will evolve and we can move through the later years and into the current time period, showing the evolution of the music,” explained Timmons. “Really, this is just the first in what we see as a series of productions.” Collins stressed that this is not a generic production where the performers will be impersonating particular stars. “This involves more of a representation,” Collins said. “While it is all based on fact and depicts real performers, the emphasis is on their music and the contribution that they made. The performers are bringing to life the spirit of that artist in that time period.” One such depiction actually involves a relative of Collins. “My grandfather, at seventeen years of age, was in a string band in this area called the Mountain Melody Boys. That group spanned two generations starting in the early 30s.” Interestingly enough, Bob Shortridge, who will be performing in the play’s orchestra, is also a descendant of a member of that group. “In their honor, we have a group in this production named the Melody Mountain Boys,” Collins added. Local historical figure Jesse Stuart also makes an appearance in the production. Stuart wrote sonnets about Ed Haley, a blind fiddle player from Catlettsburg who lived and played in the tri- state area. Some of Stuart’s work will be read during a scene in which Haley’s story is presented. "It's important to tell these stories,” Fisher said. “This music is our history. What makes this show special is the way that it's told. It combines the best of old time tradition with modern stage techniques and technology. It's like a wedding: something old, something new, something borrowed, and something blue. The blue is the water, the heart of it all". Timmons knows that the public will be as interested in this production as the team behind it is once they have seen it. “With each production meeting, we just get more and more enthused,” Timmons said. One aspect that has been particularly rewarding is watching the cast come together and take it to the next level. “The talent involved is just incredible. They add a vibrancy that brings this all to life. And their involvement means that they are making a living through their art here locally, rather than having to leave the area.” As the director seeing his own words come to life, Fisher has only raves about the cast. “The cast is a beautifully diverse group of people. Many of them are from the music world, and this is their first stage show. Some of them come from a strong theater background, and bluegrass and old time music is an entirely new world for them. Both groups strengthen and sharpen each other, and everyone gets a moment to shine in what they do best. It's a remarkably talented collection of people". Make no mistake though. The end result is nothing short of amazing. “We’re getting the same high caliber work you would see in any large city,” Timmons said excitedly. “When you have the opportunity to challenge a creative person to make the most of their talent, you get a true work of art. And that is what we have with Something in the Water, a true and lasting work of art.” |



